The Claude Mono Blog


El Ritmo Big Night In
April 3, 2024, 2:11 am
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Kit Sebastian

Your Tuesday Night Hi Fi journey. Cocktails and grooves live from the El Ritmo Penthouse Suite.

Italian Library / Easy Tempo / Brazillian Funk ‘n Bossa / Turkish Beat / Africa Sounds / More

with Claude Mono

LISTEN

Show re-stream here

HQ Mixcloud here (just the music)

PLAYLIST

Cy Coleman – Playboy Theme – Playboy After Dark

Lesiman – Bagliori – Easy Tempo Volume 5

Lesiman – Moto Centripeto – Here and Now Vol 1

Piero Umilani – Chaser – II Copo OST – 1974

Gianni Oddi – Geronimo – Oddi 1973

Modulo5 – Softly Sonora – Soundsational Movements – 2007 (Irma La Douce)

Jose Villamor – Angola Deus – La Nuova Dimensione – 1969

Troubleman feat. Nina Miranda – Paz – Time Out of Mind – 2004

The Soul Fantastics – El Mismo – The Soul Fantastics – 1971 – Panama!2 Comp

Ive Mendes – A Beira Mar (Sao Benitez Mix) – Brazillian Beats Vol 3

Sunlightsquare – I Believe in Miracles (Original Havana Mix)

Tandy Love – Asia Subs Kenya – Tandy Love Presents Turk Jerk Anatolian Anagrams

The Bartender – Tum Jo Mil Gaye Ho – Classic Bollywood Shaken Not Stirred

Kit Sebastian – Tyranny 20 – Mantra Moderne 

Kit Sebastian – Durma – Mantra Moderne

Ju-Par Universal Orchestra – Flute Salad – Mood and Grooves

Tihomir Pop Asanovic – Hot Pants Road – Good God

Sven Wunder – Take A Break – Late Again

Piero Umiliani – Chaser – Ill Corpo

I Robots – Tuba Tauba – AfricaMore The Afro​-​funk side of Italy (1973​-​1978) Four Flies

Mombasa – Nairobi – Racubah! A Collection Of Modern Afro Rhythms

Larry Manteca – Zombie Mandingo – Zombie Mandingo

The Sorcerers – Summoning The Monkey God – In Seach Of The Lost City of the Monkey God

Alessandro Alassandroni – Afro Darkness – Afro Discoteka

Dorothy Ashby – Joyful Grass & Grape – The Rubáiyát Of Dorothy Ashby

Sven Wunder – Bamboo and Rocks – Wabi Sabi

Dorothy Ashby – Moving Finger – The Rubáiyát Of Dorothy Ashby

Quantic & his Combo Barbaro – The Dreaming Mind PT1 – Tradition in Transition

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Inside The Planet of the Apes – Extras
February 25, 2024, 3:06 am
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A companion post to ‘Inside The Planet of the Apes‘ over at The Golden Apples of the Sun Radio Show blog. There was just too much info to put all in one post. There is lots more at the blog including the show music and a set of ‘essential’ Planet of the Apes links. Thanks to special guest Jamie El Mono for research detail and trivia.

NOTE Our focus was the first five films as they are the ones we grew up with and loved.

Jerry Goldsmith wears an Ape Mask during the recording of the score
The orchestra members wear an Ape Masks during the recording of the score

The Original Score

Jamie El Mono highlights on the amazing 1968 original Planet of the Apes score:

  • It is more a soundscape than a soundtrack and is surrealistic.  It is as much about the dissonant short melodic sounds as it is about the space in between, everything I love about sound library music. 
    • As has been described Goldsmith strips away civilisation, replacing it with the primitive brutality of the jungle whilst somehow still being futuristic.  The Hunt,” for the scene in which the gorillas are first seen rounding up the humans, is just ferocious and terrifying, particularly with the horns.
    • What gives it that primitive authenticity is use of exotic percussion (including, stainless-steel mixing bowls) and lack of electronics typical of science fiction soundtracks at the time; mixed with classical (Bartok and Stravinsky-influenced) textures and relentless action writing.  Escape from the Planet of the Apes (1971), the third film in the five-part series, has a much lighter tone which is reflected in the pop-based score, and the 16-minute suite neatly encapsulates all the elements of the music. 

Trailers

Timeline of the The Planet Of The Apes

Source: Refinement to an original article by Shwan S Lealos and Allison Gemmill here

Addition detail from the Planet of the Apes wiki here

The complete Planet of the Apes timeline is actually made up of four separate continuities established over the course of the entire franchise which itself spans over 55 years from 1968 to 2024. It includes the original pentalogy, a 2001 remake directed by Tim Burton, a reboot trilogy starring Andy Serkis as Caesar, and the upcoming 2024 Kingdom of the Planet of the Apes.

The Pierre Boulle Novel: La Planète des Singes 

Pierre Boulle’s 1963 novel La Planète des Singes served as the template for 1968’s Planet of the Apes. The original story follows three explorers who land on a planet orbiting the star Betelgeuse where they find naked, primitive, animalistic human beings that are hunted, experimented on, and oppressed by evolved, humanoid like apes and monkeys. They all have different fates; the physicist get killed during the hunt, the professor reverts to primitive behaviour, and the journalist is held in a laboratory. He finds that each primate species are separated in classes, chimpanzees are kind, peaceful intellectuals and citizens, orangutans are the scientists and the politicians, gorillas are violent and are the labourers, hunters, and authorities, and monkeys are citizens and workers. 

The Planet Of The Apes Release Order

The release date timeline for all the Planet of the Apes movies started in 1968 with the very first movie in the initial series that continued through to Battle for the Planet of the Apes in 1973.

Tim Burton’s Planet of the Apes remake in 2001 has its own solo timeline and story universe.

A third timeline commenced in 2011. This was when Rupert Wyatt started the new franchise with Andy Serkis playing the ape Caesar. Unlike the first franchise, which started when an astronaut landed in a world where the apes were already in charge. In the new timeline, humans were still in power, but these movies showed how the apes took control, and how humans were responsible all along.

Planet of the Apes (1968)

Beneath the Planet of the Apes (1970)

Escape from the Planet of the Apes (1971)

Conquest of the Planet of the Apes (1972)

Battle for the Planet of the Apes (1973)

Planet of the Apes (2001, remake)

Rise of the Planet of the Apes (2011)

Dawn of the Planet of the Apes (2014)

War for the Planet of the Apes (2017)

Kingdom of the Planet of the Apes (2024)

Planet Of The Apes (1968)

This original Planet of the Apes timeline only accounts for the first two films of the pentalogy, Planet of the Apes and Beneath the Planet of the Apes. There are some discrepancies with the original timeline; Planet of the Apes establishes the starting point in the year 3978. However, Beneath seems to place the action several months after the events of Planet of the Apes, but moves it to the year 3955. Some argue a technical malfunction on Brent’s spaceship in Beneath led to a false computer reading, stating the year was 3955 when he crash lands in his search for Taylor. As such, the year 3978 is the authoritative starting point where the original timeline is concerned.

1972: Astronauts Taylor, Landon, Stewart, and Dodge leave Earth. The crew is on a mission that involves traveling 700 years into the future.

November 3978: The team’s ship crash lands on an unknown planet. Stewart dies. The crew has survived thanks to going into hibernation while traveling at light speed and only feeling the effects of a slight time dilation, aging approximately 18 months. Their ship sinks.

After determining they’ve landed on an alien planet, Taylor and Landon are taken captive along with a group of primitive, mute humans. Their captors are gorillas on horseback who walk, talk, and act like humans. Taylor sustains a throat injury, rendering him unable to talk.

Taylor is held captive with other mute humans and is studied by chimpanzee scientists Dr. Zira and Dr. Zaius. He soon learns the planet he’s landed on is inhabited by talking apes who have all settled into a distinct social hierarchy and have developed their own society. They consider humans inferior and use them for menial labor or study them for science.

Zira and her fiancée, Cornelius, take an interest in Taylor. Cornelius shows Taylor artifacts from when humans existed on their planet. The apes also tell Taylor about the Forbidden Zone, a place outside of Ape City where Taylor believes he may find more information about the lost human civilization.

After a confrontation with Zaius, Taylor and his female human compatriot, Nova, take off to search for the Forbidden Zone. Zira and Cornelius are charged with heresy for helping Taylor and Nova.

As Taylor and Nova ride on horseback in their search, they come across the Statue of Liberty, buried in the sand. Taylor makes the horrifying realization he has somehow crash-landed on Earth, centuries after humans destroyed the planet.

Beneath The Planet of the Apes (1970)

3979: Just a few months after Taylor and Nova’s escape, an astronaut named Brent crash-lands on the same planet. He and another astronaut (who dies in the crash) were commissioned to locate Taylor and his crew after their disappearance.

Brent encounters Nova, who is wearing Taylor’s dog tags. Nova takes Brent to Ape City, where he sees General Ursus calling for an invasion of the Forbidden Zone while Zaius protests. Brent is injured by a gorilla soldier and Nova takes him to Zira and Cornelius’ home to care for him. There, Zira and Cornelius tell Brent about their time with Taylor some months ago and reveal where he might have gone.

Zira helps Brent and Nova evade capture by the gorilla army. They take refuge in a cave Brent realizes was once the Queensboro Plaza subway station in New York City. Brent and Nova separate from Zira and make their way through the cave system to what used to be St. Patrick’s Cathedral. There, they find a group of mutated human survivors with telepathic abilities who worship an atom bomb similar to the one which destroyed Earth centuries ago. Brent is reunited with Taylor, who is being held captive by the mutants.

The ape army invades the caves and a battle between the apes and mutant humans ensues. Nova is killed. The bomb is activated by one of the mutant leaders. Taylor and Brent attempt to stop the bomb from going off. Brent is killed and Taylor is fatally injured. Taylor collapses and sets off the bomb, destroying the entire planet in Beneath the Planet of the Apes’ bleak ending.

Planet of the Apes TV Series (1974)

The Planet of the Apes TV series worked off the same timeline as the original movie. The series consisted of 14 episodes. There were an additional eight episodes scripted but not filmed.

The Caesar Planet of the Apes Timeline

An alternate timeline is established in the final three films of the original Planet of the Apes pentalogy (Escape from the Planet of the Apes, Conquest of the Planet of the Apes, and Battle for the Planet of the Apes). 

Escape from the Planet of the Apes (1971)

This begins with Cornelius, Zira, and Dr. Milo escaping Earth in the year 3979 in one of the repaired spaceships used by Taylor or Brent and going through a time warp back to Earth and Los Angeles in the year 1973.

Their attempt to save the planet from destruction at the end of Beneath the Planet of the Apes by going back in time, in addition to Zira arriving pregnant and almost ready to give birth, sets off a series of events that create a new timeline, which features Zira and Cornelius’ son, Caesar, leading an ape uprising. A key difference with this timeline is the ending, which shows apes and humans living together in peace rather than destroying each other, as well as Earth, as seen in the previous timeline.

3979: Zira (now pregnant), Cornelius, and Dr. Milo escape in a spaceship and go through a time warp opened up by the atom bomb explosion on Earth at the end of Beneath.

1973: The trio of apes land on Earth and are immediately taken into custody when it becomes clear they are highly intelligent and communicative apes.

They spend a brief amount of time in a secluded ward of the Los Angeles Zoo, where Dr. Milo is unfortunately killed in a terrible accident with another gorilla. Zira and Cornelius befriend human doctors Branton and Lewis. Zira and Cornelius are then taken to a Presidential Commission assembled to figure out what happened to Taylor and his crew. The apes reveal they can speak but don’t share their connection to Taylor.

Zira and Cornelius privately tell Branton and Lewis about their intentions to prevent the coming war, how apes came to rule Earth, and that they knew Taylor.

Government officials grow suspicious of Zira and Cornelius. After extensive questioning while under the influence of truth serum, Zira informs the President’s Science Advisor, Hasslein, how humans cause their own destruction in the future, how apes form a social hierarchy, and how apes subsequently come to rule over the decimated human race. She also reveals she experimented and dissected humans, causing panic among officials who take Zira and Cornelius into custody.

Branton helps Zira and Cornelius escape, handing them over to a circus run by Armando. Zira gives birth to a son, Milo. Armando works to help Zira, Cornelius, and Milo escape to avoid being killed by Hasslein. Before the escape, Zira switches Milo with another newborn gorilla so he can stay safe under Armando’s care. Zira, Cornelius, and the gorilla baby are killed in a final standoff with Hasslein and his men. Milo begins to talk.

Conquest of the Planet of the Apes (1972)

1983: A pandemic sweeps across Earth which kills all cats and dogs.

1991: The U.S. government has now divided the nation into a group of police states reliant on ape slave labor. Armando has renamed Milo, now calling him Caesar and training him to be a horseback rider. Caesar hates performing menial labor for humans. Armando tries to protect him and hides from others the fact that he can speak.

Caesar is sold to be the slave of Governor Breck. He learns that Armando has died while in official custody after being forced to reveal Caesar is actually the son of Zira and Cornelius.

Caesar begins secretly training apes how to fight and orders them to gather weapons. He intends to lead an ape uprising against their human owners. Caesar and his growing army establish their dominance by taking over Ape Management, freeing other apes and killing humans who stand in their way. They also set their city on fire.

Breck is taken as Caesar’s prisoner and is meant to be executed as a show of the growing strength of the ape rebellion. Caesar’s mind is changed when his love interest, an ape named Lisa, reveals she can also speak when she shouts “No!” as a way of stopping him. Instead of killing Breck, Caesar declares to the governor and to the humans watching he intends to establish Earth as a planet ruled by apes.

Battle for the Planet of the Apes (1973)

The film commences in 2670 as an ape named Lawgiver is seen recounting Caesar’s story to a combined group of ape and human children. The Lawgiver was mentioned and quoted in the first two Apes movies and statues of the Lawgiver were common around Ape City. But only appeared in the final Apes film, 1973’s Battle for the Planet of the Apes

2001: Human civilization has collapsed after a nuclear war and Caesar’s uprising. Caesar, Lisa, their son Cornelius, and the apes who follow Caesar have established a new society. They attempt to establish peace with the remaining humans and being life anew. Caesar is opposed by Aldo, a gorilla who wants to imprison humans and have them perform slave labor for apes in Ape City, just as the apes were once subjected to slavery.

Through archival footage of Zira and Cornelius’ testimonies preserved in the radioactive ruins of a location known as the Forbidden City, Caesar watches his parents tell government officials what will happen to Earth in the future and what fate awaits the apes.

A group of human survivors led by General Kolp (one of Caesar’s former captors) tracks the whereabouts of Caesar and the other apes to their Ape City home. Kolp declares war on the apes to prevent the surviving humans being killed off by Caesar and his army.

Aldo also plans a gorilla uprising against Caesar. He critically wounds Cornelius and takes advantage of Caesar tending to his son by having his gorilla supporters raid the Ape City armory.

Kolp and his men launch their attack on Caesar and the apes. Caesar leads the apes against Kolp, driving humans away from Ape City. As Kolp’s army retreats, Aldo and the other gorillas kill them off.

Aldo and Caesar face off after another ape reveals Aldo is the one who killed Cornelius and violated the law, which states that apes should not kill each other. Caesar chases Aldo up a tree and they fight before Aldo plunges to his death.

Seeking peace, Caesar orders all weapons to be stored away and only used for coming battles.

A deleted scene from the original movie restored for the 2008 release movie is key to the timeline with its relationship to Beneath the Planet of the Apes. This scene ties directly to the mutants found in Beneath and shows the beginnings of the House of Mendez cult. The scene involves two of the mutants who stay behind in the city to activate a doomsday bomb should Kolp and his army fail. The two mutants are about to fire off the bomb but elect not to set off the Alpha-Omega weapon as it would destroy the Earth, but instead decide to venerate it and form a religion around the bomb.

The 2001 Planet of The Apes Remake Timeline

Tim Burton’s 2001 remake of Planet of the Apes takes the basic conceit – an astronaut crash-lands on a strange planet ruled by an advanced ape society – but makes it an entirely separate story with new characters and a new inciting incident. Burton’s Planet of the Apes ending looks vastly different from prior movies. This film changes the time period, too, shifting the plot further into the future than the original pentalogy. This results in a huge change: the planet that protagonist Leo Davidson lands on is actually an alien planet, not a future version of Earth, which figures prominently into the end of the movie.

2029: While aboard the space station Oberon, astronaut Leo Davidson sends one of his fellow astronauts, a chimpanzee named Pericles, on a solo flight into what looks like an electromagnetic storm to gather information. Pericles’ signal is lost and Leo goes in a separate space pod to find him.

Ashlar, 5021: Leo crash-lands on the distant planet of Ashlar in the year 5021. He quickly learns the planet is ruled by advanced apes who can talk and ride on horseback, as well as have their own social hierarchy, government, and human slaves.

Leo meets Ari, an ape sympathetic to the human slaves. Ari buys Leo and a human woman, Daena, as slaves for her father, Senator Sandar. Leo and Daena lead other humans in an escape from Sandar’s home and take Limbo, a human slave trader, hostage. Human-hating General Thade leads a group of soldiers in pursuit of the humans.

Leo and the wandering humans, Limbo, and Ari (who tracked them down) discover the sacred temple of Calima. Leo realizes Calima is part of the ruins of the space station Oberon, which he guesses crashed on Ashlar while searching for Leo and Pericles.

Using the Oberon log, Leon pieces together that the surviving apes being used as astronauts, just like Pericles, banded together and evolved over time into the advanced ape society of 5021. Meanwhile, the descendants of the humans working on Oberon were turned into slaves.

Later, Leo and the humans face off against Thade and his army. In the heat of battle, Pericles lands on the battlefield. The apes stop fighting, believing Pericles to be the second-coming of their ape ancestor, Semos, who was aboard the Oberon.

Thade attacks Pericles and Leo. Leo traps Thade in a compartment of the Oberon ruins, leaves Pericles with Ari, and commandeers a spaceship back through the electromagnetic storm.

Leo returns to Earth, crash-landing on the steps of what he thinks is the Lincoln Memorial in Washington D.C.. After exiting his pod, he discovers a statue in honor of General Thade and is soon swarmed by policemen, reporters, and regular citizens, all revealed to be apes. The implication of the ending is that Thade managed to commandeer the other Oberon pod and crash-landed on Earth a few hundred years before Leo’s arrival, leading to the shift in power from humans to apes.

The Planet Of The Apes Prequels Timeline

The Planet of the Apes reboot movie trilogy includes Rise of the Planet of the Apes, Dawn of the Planet of the Apes, and War for the Planet of the Apes. A new inciting incident is introduced in this trilogy to explain how the apes rise to power. Instead of nuclear war wiping out most of the humans and allowing apes to rise up in their place, a virus is accidentally created that kills humans but improves the intelligence of apes.

This allows the story to unfold in the near future with Earth remaining as the primary location. Despite these changes, the Planet of the Apes reboot timeline eventually builds towards the same ending as the other continuities: the apes establish themselves as the dominant species on the planet.

Rise of the Planet of the Apes (2011)

In San Francisco, Will Rodman, a scientist had worked at Gen-Sys Laboratories for five years on ALZ-112, a genetically-engineered retrovirus that could cure Alzheimer’s Disease. ALZ-112 not only repairs brain cells, but genetically enhances them, giving chimpanzees a human level of intelligence. One of his test subjects is Bright Eyes, a female chimpanzee that was recently captured from the West African Jungle. Much to everyone’s shock, Bright Eyes goes on a rampage two months into her trial, before security is forced to kill her in front of the board members, thus ruining any chance of developing ALZ-112 further. It is discovered, however, that Bright Eyes’ aggression was not due to the drug, but due to her maternal instinct to protect her baby, to whom she had secretly given birth a day or two earlier. 

Will’s unethical supervisor orders all test chimpanzees put down after Bright Eyes’ rampage, but Robert Franklin, the chimp handler responsible for carrying out this order, can’t bring himself to kill the infant, and instead gives it to Will, who names him Caesar and raises him at his home.

Five years later: Will treats his father, who suffers from Alzheimer’s, with ALZ-112 and sees improvements. Meanwhile, Will raises Caesar. The young chimp questions his environment and displays a curiosity for humans’ way of life. A disastrous incident with Will’s neighbor forces him to put Caesar in a primate shelter.

After being bullied by other chimps and one of the shelter employees, Caesar allies with one of the largest gorillas in the shelter and establishes dominance over the other apes.

Meanwhile, Gen-Sys develops a new form of Will’s Alzheimer’s drug, ALZ-113. A scientist accidentally exposes himself to the drug while testing it on a bonobo named Koba. Later that night, the scientist becomes increasingly ill.

Will tries to take Caesar home but Caesar refuses. He later breaks into Will’s home, steals canisters of ALZ-113, returns to the shelter and exposes the other apes to the drug. This makes them stronger, more intelligent, and solidifies their loyalty to Caesar.

Caesar and the apes escape the primate shelter. They head over to Gen-Sys labs, where they free Koba and the other apes being used as test subjects.

Caesar leads the apes to the Golden Gate Bridge, where they fight off police as they try to make their escape into the Redwood forest. There are casualties but the apes are successful. Will, watching the scene unfold from afar, approaches Caesar and asks if he will come home. Caesar tells Will he is already home, gesturing to the apes going into the forest. Will lets him go.

It is revealed the infected Gen-Sys scientist later boards a plane to Paris, which leads to the spread of the Simian Flu pandemic that targets humans.

Dawn of the Planet of the Apes (2014)

Starting in 2016, Hunsiker, the first known carrier of the ALZ-113 virus, spreads the infection first in France, then to Europe, then all over the world. Entire governments trace where the virus started, which is San Francisco. As entire governments of every nation in the world, is trying to find a cure but proves difficult. The virus causes many nations to declare martial law, and massive civil unrest breaks out, followed by power outage, and causing millions of deaths worldwide. The virus finally causes the collapse of human civilization and the economic collapse of every country in the world. Ten years later, Caesar now leads and governs a new generation of apes in a community located in the Muir Woods Park. 

Ten years after the deadly Simian Flu pandemic, the worldwide human population is drastically reduced, with only about 1 in 500 genetically immune. Human civilization has been destroyed after societal collapse among humans. A colony of apes, all bestowed with genetically enhanced intelligence by the virus, establish a colony in the Muir Woods near San Francisco, led by Caesar, along with his lieutenants Maurice, Rocket, and Koba.

Caesar and the apes he freed have established a society in the Muir Woods near San Francisco.

Malcolm, a human survivor, leads a group towards a hydroelectric dam, which they believe will restore power to San Francisco. Caesar’s son, Blue Eyes, and his friend, Ash, encounter the group, and one of the humans injures Ash. Caesar orders the humans to leave.

Koba encourages Caesar to show the apes’ strength to the humans. Caesar goes into the human settlement and forbids them from entering into ape territory. Malcolm talks to a fellow human leader, Dreyfus, asking for time to make peace with the apes so they can access the dam. Caesar and Malcolm reach an understanding. Caesar allows Malcolm and his team to work on the dam. They successfully restore it.

Dreyfus prepares for a confrontation with the apes and arms the humans with weapons from a local armory. Koba and a few other chimps discover the weapons and take some. Koba shoots Caesar and tells the apes that the humans were the ones responsible.

Koba leads a charge to San Francisco, taking humans as prisoners. Malcolm and his family find Caesar and take him to Will’s house, the place where he grew up. Malcolm goes to the ape settlement to get medical supplies, encounters Blue Eyes, and tells Caesar’s son it was Koba who shot his father. Blue Eyes locates the human prisoners and apes who dissented against Koba, freeing them.

Malcolm leads the apes, including Caesar, to a tower where they encounter Dreyfus. It’s revealed Dreyfus used the restored electricity to radio another military base with survivors and they are en route to defend the humans against the apes. Dreyfus then goes on a suicide mission to destroy the tower, because the group of apes led by Malcolm are still there. The plan fails.

Koba confronts Caesar. After a heated fight, Caesar kills Koba. Malcolm warns Caesar of the coming war against the new group of humans coming from the other military base.

War for the Planet of the Apes (2017)

Two years following the Battle in San Francisco Caesar and the apes find themselves in a heated, extended battle with a U.S. military faction called Alpha-Omega, led by a man known only as The Colonel.

Blue Eyes returns for a recon mission where he reports the apes could make a new home in the desert. Caesar doesn’t want to leave the woods until the apes have eradicated the Alpha-Omega threat.

During a scouting operation, Caesar and his men discover a young human girl hiding in a cabin who is mute. They later name her Nova and she is made a part of the ape community.

Caesar’s group encounters another intelligent chimp named Bad Ape, who leads them to Alpha-Omega’s base. Alpha-Omega soldiers take Caesar and his group prisoner. Caesar discovers that the rest of the ape community has been imprisoned and are being forced to build a wall to fortify the base against the U.S. Army who are coming to take out Alpha-Omega.

The apes, Alpha-Omega, and the rest of the U.S. Army engage in a heated battle. Caesar manages to blow up an army tank which causes an avalanche, killing the Alpha-Omega forces and the Army. Caesar, Nova, and the apes are able to avoid the avalanche by scaling on trees.

In the aftermath, the apes leave the facility and journey to the oasis. As the apes and Nova arrive at the oasis, Maurice discovers Caesar’s wound and promises that Cornelius will know who Caesar is and what he did for the apes. With the apes safe in their new home, Caesar peacefully passes away.

Kingdom of the Planet of the Apes (2024)

This film continues the timeline from the Planet of the Apes prequel trilogy, but it moves on from Caesar. Instead, Kingdom of the Planet of the Apes includes a massive time jump. The film picks up 300 years after Caesar leads his apes to the promised land.

Nearly 300 years after the events of War for the Planet of the Apes, ape civilizations have emerged from the oasis to which Caesar led his fellow apes, while humans have regressed into a feral, primitive state. When the ape leader, Proximus Caesar, perverts Caesar’s teachings to enslave other clans in search for remnants of human technologies, Noa, a common chimpanzee, embarks on a harrowing journey alongside a young human named Nova to determine the future for apes and humans alike…

Where Kingdom of The Planet of The Apes may take the franchise beyond 2024.

A new leader named Noa takes over as the central character, making the movie more of a spiritual successor rather than a direct sequel. In addition to offering a fresh perspective, the time jump and new leader opens the franchise up to the possibility of creating a modern spin on the original Planet of the Apes story, expanding the overall timeline even further.

***

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Factory Records Beginnings
February 25, 2024, 2:37 am
Filed under: Uncategorized | Tags: , ,

FAC-1

The first Factory live night was held at the Russell Club in Hulme
Peter Saville, Tony Wilson and Alan Erasmus outside the Russell Club 1978

From Use Hearing Protection (The Factory Records Exhibition):

Peter Saville’s FAC 1 poster set the template for the Factory aesthetic. Its bold use of colour and typographical design immediately set Factory apart from the contemporary punk / new wave visual identity of collage, montage and DIY. It suggested a modern, cool, high-tech aesthetic, one that was intelligent and European but also one that was industrial and ‘of the city’. The design introduced the ‘Use Hearing Protection’ warning sign, which Saville sourced directly from Manchester Polytechnic. Printed in a run of 300 the poster advertised nights at The Factory across May and June 1978 including performances by Joy Division, Cabaret Voltaire, Durutti Column and Big In Japan amongst others.

FAC-2


From ‘The New Vinyl Villain Blog:

FAC 2 A Factory Sample was the first Factory record was a double 7″ EP, originally planned as an orthodox compilation album to be released in collaboration with Roger Eagle and Pete Fulwell of Liverpool punk club Eric’s. Eagle and Fulwell proposed a regional sampler showcasing two groups from Liverpool, and two from Manchester: The Durutti Column, and Joy Division. However, after the more experienced Liverpudlians baulked at the complexity and cost of a double 7″ package Wilson decided to go it alone.

Peter Saville has gone on record as saying that his design for the Factory Sample was based on the FAC 1 poster., and that he was trying to convey the mood rather the music, to the extent that he didn’t listen to any of the tracks before he did the cover.   The music was recorded in October 1978 and the vinyl was released into the shops in December 1978.  There were 5,000 copies pressed, and the two records, along with five stickers, were all hand-wrapped into a silver sleeve which was then sealed in plastic, The two records played at 33 1/3 rpm and not the standard 45 rpm.

Label:  Factory
Catalog#:  FAC-2
Format:  2 x Vinyl, 7″, EP, 33 ? RPM
Country:  UK
Released:  Dec 1978
Genre:  Electronic, Rock
Style:  New Wave, Industrial
Credits:  Artwork By – Peter Saville
Notes:  Gatefold release, with 5 stickers. 5000 copies pressed.

From Popsike A Factory Sample EP For Sale :

A Factory Sample EP (2×7″s) – Factory Records FAC-2 Original

“Please note I am selling most of my rare vinyl collection to fund the deposit for my first house, so please bid generously!”

Labels read:
Aside – “Tears in their eyes”
Beside – “Occasional labour in culture”
Seaside – “A piece of the cake; 3 songs that spell FAG”
Decide – “Lips of sulphur”

Run-off groove notations:
~ Everything
~ IS REPAIRABLE
~ EVERYTHING
~ IS BROKEN

Tracklisting:

  Aside
A1  Joy Division      Digital (2:50)
A2  Joy Division      Glass (3:51)

  Beside
B1  Durutti Column, The     No Communication (4:57)
B2  Durutti Column, The     Thin Ice (Detail) (3:16)

  Seaside
C1  John Dowie     Acne (1:43)
C2  John Dowie     Idiot (1:53)
C3  John Dowie     Hitler’s Liver (2:27)

  Decide
D1  Cabaret Voltaire     Baader Meinhof (3:15)
D2  Cabaret Voltaire     Sex In Secret (3:28)

From Factory Records at the Cutting Edge of Technology by Jan Hicks

One of the Joy Division tracks on the EP has the title ‘Digital’, derived from the digital technology Martin Hannett used to manipulate the sound of the band. During Joy Division’s time in the studio with Martin, recording their tracks for FAC 2, band members Bernard Sumner and Stephen Morris began experimenting with electronic instruments. Bernard built a synthesiser from a kit that he purchased from Electronics Today. The PowerTran Transcendent 2000 was a monophonic synthesiser designed by Tim Orr, who worked for British company Electronic Music Studios (EMS). Tim intended it to be an affordable alternative to the synths that could be bought from specialist music shops.

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The Exotic Moods of El Ritmo
January 3, 2024, 2:03 am
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THE EXOTIC MOODS OF EL RITMO

A ‘Hi Fi Journey’ into spicy sounds with Claude Mono

EXOTICA – BOSSA – LIBRARY – BEATS

as broadcast on RTRFM

LISTEN

Show re-stream here

HQ Mixtape <coming soon>

PLAYLIST

Les Baxter – Shadow of Love / The Enchanted Reef – The Soul of the Drums

Martin Denny – Quiet Village – The Exotic Sounds of Martin Denny 

Les Baxter with Bas Sheva – Lust – The Passions

Martin Denny – The Girlfriend Of The Whirling Dervish – Exotic Percussion

Ixtahuele – Mareld (2021 version)

Combustible Edison – Breakfast at Dennys – Isle of the Lost Demos

Sukia – Amok – Contacto Espacial Con El Tercer Sexo

Tipsy  – Tuatara – Trip Tease

Nino Nardini  – Mowgli – Jungle Obsession

Nino Nardini – Tropical Call – Jungle Obsession

The Karminsky Experience – Departures – The Power of Suggestion

Sven Libaek – Misty Canyon – My Thing

The Alan Lorber Orchestra – Mas Que Nada

Muhavisia Ravi Hatched and the Indo Jazz Following – Bombay Palace

Bei Bei and Shawn Lee –  East  – Beauty and the Beats

Nicola Conte – Danubian – Other Directions

Larry Manteca – UFO Bossa

Tangoterje – Aquarius (George Shearing re-edit)

Allessandro Allessandroni – Afro Darkness (LUCA quirky version)

Neno Exporta Som – Deixa a Tristeza

Mario Castro Neves & Samba S A  – Candomble

The Kevin Fingier Collective ft Josie Dias  – Um Brilho Novo

The Kevin Fingier Collective ft Josie Dias – Rua Nova Barao

Paul and Mark – Guaio A Caracas

Arthur Verocai – Sylvia (Live) – Jazz Esta Morto

Arthur Verocai – O Mapa – Arthur Verocai

Kit Sebastian – Melodi Pt1 and Pt2

Sven Wunder – Ultramarine  – Late Again

Sven Wunder – Chamomile – Eastern Flower

Sven Wunder – Take A Break – Late Again

La Luz – Oh Blue – La Luz The Instrumentals

Sven Wunder – En Plein Air – Natura Morta

Soledad Miranda – La Verdad

WANT MORE

You might enjoy

IN SEARCH OF THE EXOTIC SOUNDS OF THE KARMINSKY EXPERIENCE INC.

Listen here

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Siamese Dream Happy Mondays

Katie Puckrick introduces Shaun Ryder interview on The Word – 1992 

Shaun Ryder and Karl Denver interview

Yippee-ippee-ay-ay-ay-yey-yey

The Siamese Dream Happy Mondays Special

Your hosts…

Claude Mono

Anton Maz (spiritually there but at home looking after his unwell family)

Yippee-ippee-ay-ay-ay-yey-yey

Want a pre-party party?

Happy Mondays play Metropolis next Wed 25/10

Siamese Dream are play Happy Mondays Mon 23/10

Claude and Anton hit the studio in their best Joe Bloggs and take a deep dive with remixes, obscurities and rave on bangers plus mad tales of hazy crazy days

LISTEN

Show re-stream here

Spotify Playlist here – the tracks we played plus some other classics

PLAYLIST

Siamese Dream Happy Mondays Intro

Katie Puckrick – Shaun Ryder (The Word 1992)

Happy Mondays – Little Matchstick Owen

Happy Mondays – The Egg

Interview Shaun Ryder and Karl Denver

Happy Mondays – Lazyitis (One Armed Boxer feat. Karl Denver)

Happy Mondays – Dennis And Lois

Happy Mondays – Stinkin Thinkin /

Happy Mondays – Loose Fit (Paul Oakenfold Mix)

Happy Mondays -W.F.L. ‘Think About The Future’ (The Paul Oakenfold Mix)

Gaz Whelan – I Still See Bez

Happy Mondays – Donovan

Happy Mondays – Angel

Happy Mondays – Clap Your Hands

INTERMISSION (Grab a Kebab)

Interview Jamie Hutchings w/ Andrea Sturgess

Jamie Hutchings – Bachelors Buttons

PART TWO

Happy Mondays – Step On (Twistin My Melon Man Mix)

Happy Mondays – Kinky Afro

Shaun Ryder – Scooter Girl

Happy Mondays – Tart Tart (Live at Sheffield University 1989)

Happy Mondays – Stayin Alive

Happy Mondays – Kilamenjero (Rave On)

WANT MORE

Oil & Acrylic painting of Happy Mondays singer Shaun Ryder. Artwork by Central Station Design

Bummed Documentary

A short documentary which overviews ‘Factory Records’, as they help promote ‘The Happy Mondays’ during the recording / release of their second album, ‘Bummed’. Click the link in the video or go direct here.

Shaun and Pete Carroll

Yummy Fur artwork by Central Staton Design

Perth Connections

Anton Maz co-host for this edition of Siamese Dream DJed the after party at the last Happy Mondays Perth gig at The Astor – the after-party was at Amplifier and Anton tells the story of dropping Shaun, Bez and Rowetta along with Alan McGee into a taxi at 4am out the front of Amps and none of the band remembering where they were staying, and they were all at different hotels. Anton wished the taxi driver good luck as they headed into the night.They did get there.

Anton back in the mid-90s played in Yummy Fur the Perth-based and Manchester-inspired band loved equally by clubbers and indie-heads.

Jack (Kiriakos Lucas from Yummy Fur) played guitar pn Amateur Night in the Big Top. Band connections with Shaun Ryders Perth-based cousin Pete Carrol led us to his brothers Matt & Pat Carroll of legendary Manchester-based Central Station Design , who were responsible for some of the best Mondays artwork as well as the iconic Madchester logo, to do album artwork for the Perth-based band which was a big honour. Check out ‘The Story’ below and read on…

Amateur Night in the Big Top

The story goes something like this.

Ryder recorded his vocals in Carroll’s make-shift studio in his garage, which were recorded by Carroll and Norton. And lets not forget to mention Chad Hedley of Dada Records on percussion. Ryder had originally heard tracks Carroll and Shane Norton were working on for Offworld Sounds. “Our Pete just said, ‘Tell us a story.’ I’ve got that many, Pete reckoned I should record them once and for all” said Shaun Ryder. “I’m kind of a novelist in the way that 9/11 was a Great American Novel” the singer added.

The album is subtitled “Clowns and Pet Sounds”. It was released in September 2003 and co-produced by Pete Carroll, Shane Norton and Cabaret Voltaire’s Stephen Mallinder. It was recorded in Perth, Australia and released on the OffWorld Sounds record label run by Carroll and Mallinder.

Shaun stayed at his cousin’s Pete Carroll house in Perth. He thought the quiet location would be a good opportunity to go cold turkey from his previous heroin addiction.

Despite Shaun not wanting to make any music while in the country, Pete thought it would be something to distract him with. In April 2001, it was reported that Ryder had started recorded an album; sessions continued into July 2002. Carroll served as the executive producer on the project. Shane Norton of Kuling Bros produced and engineered the material and former Cabaret Voltaire member Stephen Mallinder acted as co-producer on “Scooter Girl”, “Clowns” and “Murder”.

The Ecstasy and the Agony

The Ecstasy and the Agony. A beautiful documentary filmed with Shaun and his family and during some of Shaun’s toughest times. The spirit of life shines through.

Gaz Whelan the Happy Mondays drummer has been working on a side-project to bring to life acoustic versions of Happy Mondays tracks. In their stripped back form the beauty and quality of the arrangements shines through but really hearing Shaun’s lyrics is a treat. In between tracks Gaz talks about his life with the band including growing up in Salford, The Hacienda, and touring. Great tales. Gaz explains that the band were not at all that interested in touring an acoustic project. You can just imagine the conversation with Shaun and Bez 🙂 – Tracks include: Kiny Afro, Loose Fit, Hallelujah

Gaz Whelan’s other musical project Black Symphony featuring Rowetta from the Mondays here

An interview with Angela Smith, former wife of Happy Mondays bass player and founding member – Paul Ryder, who died on 15th July 2022, after she had recorded many hours of interviews with him for the podcast The Paul Ryder tapes – On Spotify. Try here.

“We didn’t really expect that Paul would go before Shaun…”

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El Ritmo Moderno Hi Fi Discotheque
May 3, 2023, 10:43 am
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From Istanbul to Mumbai

From Paris to Rome via South London

Sounds from Then and Now

You’re in the VIP queue and the doors are about to open

Its The Tuesday Night Hi Fi Discotheque live from Club El Ritmo Moderno

selections by Claude Mono

LISTEN

Show re-stream here

HQ Mixtape here – just the grooves

PLAYLIST

Tandy Love (aka Andy Votel) –Turk Jerk Intro

Gaslamp Killer vs. Ersen and Kardaslar – Gunese Don Cicegim – All Killer

Sarolta Zolatnay – Zold Borostyan – Sarolta Zolatnay

Mustafa Ozkent Ve Orkestrası – Zeytinyaglı – Genclik lle Elele

Beyaz Kelebekler – Esmerim (Special Cosmic Balearic Edit 4.0)

Sarolta Zolatnay – Munanyag Almok – Sarolta Zolatnay

Kit Sebastian – Durma – Mantra Moderne (2019)

Vanishing Twin – The Third Door – In Piscina (2020)

Ray And His Court – Soul Freedom – Ray and His Court (1973)

Paikan And The Sadhus – Afro On The Rocks (2009) – Jazzman

Kit Sebastian – Pangea – Mantra Moderne

Jean Pierre Mirouze – Sexopolis – Bande Originale Du Film Le Marriage Collectif (1971)

Janko Nilovic – Xenos – Cosmos Rythmes – Contemporains (1974)

The Karminsky Experience Inc – Chant – Beat!

The Karminsky Experience Inc – L932 (original vinyl 12 – Jesse Yuen)

Lucky Brown – Space Dream – Lucky Brown’s Space Dream

M Ashraf – Too Ney Kaha – Dekha Jaye Ga OST

M Ashraf – I Am Very Sorry – The Sound of Wonder OST

The Bartender – Tum Jo Mil Gaye Ho (extended version)

Dimitri from Paris – Un World Mysteriouse – Sacre Blue (La Edition Speciale) 1998

Nicola Conte – Dossier Omega – Jet Sounds (1996)

Alfonso Santisteban – Zorongo – Spanish Moog LP (1971)

Vanishing Twin – Planete Sauvage – The Age of Immunology (2019)

Alemayehu – Eshete Alteleyeshegnem

Nephews of Phela – Mulah 2 (Mulatu Astatke’s Yegelle Tezeta) 

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My kind of Dystopia – Her

PROLOGUE

I never watched Her when it was first released back in 2013. Strange as I was still going to lots of cinema screenings and I remember it coming out. After that I just never got around to watching it – until this year – until 2023.

It must have just been a lucky break for me because watching it now for the first time I am sure that Spike Jonze made his film about a decade before we all could really ‘get it’. And it was based on a screenplay idea he originally had a decade earlier back in the early 2000s. So now here I am two decades later and we can all see and relate to Her and its gentle foretelling of the age of lifestyle art via AI aka Planet Fantastique or AI assistance via ChatGPT.

But wait… there is another story within the story. The actual reason I watched Her was Sofia Coppola. I finally got onto it after only recently reading about the film’s touchpoints with ‘Lost in Translation’. I was not here for the film’s strangely colorful and beautifully costumed dystopia and its AI tale. But once here that’s why I stayed.

Its still a fresh viewing for me but I already want to put Her up there with my other favorite leftfield lo-fi styled and ‘quiet’ dystopian cinematic masterpieces (i.e. non-Bladerunner-esque) being Never Let Me Go, Under the Skin, Tales From The Loop and Gattaca – oh and also this David Lynch directed advert for Adidas from 1993.

PLOT

Kayleigh Donaldson (Spike Jonze’s Her: A Utopian Future or a Dystopian one?) writes:

Her, Spike Jonze’s 2013 sci-fi romance, is a remarkably drama-free film compared to others in its genre with similar premises or themes. Everything is happening just below the surface. The quaintly named Theodore Twombly (played by Joaquin Phoenix) is a lonely introvert who works for a business that writes letters for people who are unable to express themselves emotionally. Theodore is great at other people’s issues, but not his own, and has been delaying signing his divorce papers for quite some time. Feeling a desire for companionship, he purchases a new operating system upgrade that includes a virtual assistant who names herself Samantha. She is curious, charming, and able to adapt and evolve to suit Theodore’s needs. She’s also lushly voiced by Scarlett Johansson. Soon their bond grows into one of romance that feels all too human”.

I should watch it again and more closely. A highlight for me that deserves much more attention are the little moments of tension between Theodore and Samantha as Samantha’s personality develops. Her showing nuanced traits just in her voice and Theodore quickly reacting as he reflects that hold on she is meant to be simply a product – Operating System 1. It really is brilliant intimate acting in these POV scenes by Joaquin Phoenix.

EPILOGUE

It does take the edge off just a little from this joyous cinematic experience but ‘gets it’ about right when Natalie Kuss in a random .edu journal I found on Brave New Worlds Utopias and Dystopias writes:

“The film warns of a future where real human connections are phased out by artificial intelligence. The deterioration of Theodore’s relationship with Samantha exemplifies how creating relationships with AI can potentially damage our ability to connect with other humans. Although AI can seem like an easy way to develop a utopian society, it can also prevent necessary relationships from forming. Without true human connection, humanity could spiral into a dystopia lacking empathy and socialization. Although Her exclusively shows Theodore’s experience with AI, the film still acts as a cautionary tale for society as a whole”.

LISTEN

The soundtrack to the film was composed by the band Arcade Fire working with Owen Pallett. Initially the soundtrack was not released in either a physical or digital format although promotional CDs were sent to critics and became very collectable. The full soundtrack became available via streaming and much wanted. It was finally released in digital, vinyl and cassette formats in 2021.

SPOILER:

Within the soundtrack the song is called “Alan Watts / 641 version” because in the scene where it occurs, quite late in the film, the AI introduces Theodore to the late British philosopher Alan Watts (of The Dream of Life). This moment is pivotal for Theodore’s aspirations and increasing understanding of the AI Samantha. Theodore learning that Samantha can speak with 641, or potentially millions of other people, dead or alive, at the same time as him, and still not have a truly human conversation with any of them, drives home the whole films point about real, human connection, and our inherent need for it.

MORE

In a 2013 an article in the New Yorker written by Mike Harris a photo by Todd Hido called 2563 is described:

“The woman seems like she must be beautiful, although you can’t see her face. In the photograph, she stands with her back turned, gazing into the woods on a sunny day in late fall or early winter, her dark-blonde hair brushing her shoulders, almost tangibly present but at the same time unreachable. She’s real, but only in her world, not yours.

The woman seems like she must be beautiful, although you can’t see her face. In the photograph, she stands with her back turned, gazing into the woods on a sunny day in late fall or early winter, her dark-blonde hair brushing her shoulders, almost tangibly present but at the same time unreachable. She’s real, but only in her world, not yours”.

The framed photo print hangs on a wall in the loft where Spike Jonze lives and works when he’s in New York. When Jonze started to write the screenplay for the film, he made a small editorial addition to the image—a ragged piece of a yellow Post-it note that he stuck on the glass over the photograph. Then he took it off, replaced it with another, and then another. On the one that he finally decided felt right, he had written three lowercase letters in black marker: her. It can be seen on the cover of the soundtrack vinyl LP released in 2021.

3D Recreation of the Apartment from ‘Her’ film

You have to really watch the film before you get the idea here. Vladyslav Hreben, Max Shpak, and Roman Kravchenko all really appreciated the direction of photography by Hoyte van Hoytema. So they decided to collaborate and recreate the apartment in the ‘Her’ film in 3d. The section on ‘Night Options’ with photos that light the apartment differently are great. Check the apartment out out here.

Lost in Translation // Her: An Unloved Story

Finding a common theme between two films and running with it in a video essay is, well, a common theme in video essays.

In 2015 video essayist and editor Jorge Luengo Ruiz explored the symmetry between Lost In Translation and Her in his Vimeo video Lost in Translation // Her: An Unloved Story. The two films are amongst a very few films that create a visual dialogue between two ex-spouse writer-directors.

Her is a cohesive whole as its own film, but gets more depth and more complexity when considered as being possibly a very personal “response” by the Director to a relationship he had with Director of Lost In Translation.

A perceptive Reddit user noticed and wondered if the ending of Her is the unspoken acknowledgement by Jonze of Coppola herself being at the core of Her. Its Jonze’s way of acknowledging that his film is (below the surface of its Sci fi tale) indeed a celebratory response to Coppola’s own work and an unbreakable (but broken) bond between the two films and their Directors.

At the end of Her, Amy Adams’ character puts her head on Theodore’s shoulder for the final shot. While not confirmed, this is directly similar to Lost In Translation’s most iconic shot — where Scarlet Johannson puts her head on Bill Murray’s shoulder. Lost In Translation, which was directed by Spike Jonze’s ex-wife, Sofia Coppola, has been highly regarded as the starting point for “Her”, “Her” being Spike’s companion piece to Coppola’s “Lost In Translation”.

More recently Collider Magazine explored this further

Back in 2003 the film gossip went that Giovanni Ribisi’s character John in Lost in Translation, a photographer working on a job in Japan, was rumored to have been based on Coppola’s first husband Jonze. Several critics suggested Coppola was writing about her problems with Jonze. Coppola vehemently denied any connection at the time, but in 2013 she said she was trying to figure out her marriage to Jonze while writing the script. Jonze continues this same principle and creates a very similar context for Theodore, but shifts the lens: he opts to look at how his protagonist relates to people, not the world he lives in. Naturally, Theodore’s world brings variables that Charlotte’s and Bob’s doesn’t have, which are technology and social media. While Sofia’s drifting on Lost in Translation speaks of a more “analog” feeling, Spike uses his whole personal context to reflect on how these two factors affect human nature and the process of connection. We can be connected all the time if we so choose, and to whatever we feel like connecting. Dealing with people, though, is a whole different thing.

The conclusion Coppola and Jonze each get to is diametrically opposed from one another, but both hopeful. Coppola, ever the dreamer, establishes a connection between two very different characters, in two very different moments in life. Still, everyone wants to be found, and it does happen, not even the neon haze of Tokyo dawn should stand in the way — after all, love may happen even in the most foreign of places. Jonze acknowledges the individuality of his former partners, both Catherine and Samantha, and understands that is perfectly possible to be alone in the crowd. Loneliness and solitude are two very different things.

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The Valentines Day Burt Bacharach Mixtape
March 6, 2023, 6:25 am
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Burt Bacharach – Angie Dickinson – 1975

UPDATE: Mxtape added with extra tracks and fully remastered – had so much fun doing this special edition of the El Ritmo radio show for RTRFM that I thought I would preserve it for listeners for Valentines Day next year – or better still any day of the year!! – all the chit chat and ads have been removed – so its just the pure joy of the music with a nice HD mix

I loved doing the research for the show and finding so many versions of Bacharach on musical roads road less travelled, but I have to say stumbling across the unreleased version by The Beach Boys of Walk on By was a special find.

Celebrate Valentines Day with a ‘Tuesday Night Hi Fi Journey’

RTRFM’s El Ritmo radio show will be completely free of the mush and goes straight for the beautiful, funky and far out tunes by far out artists into the catalogue of the late great Burt Bacharach plus some other perfectly placed very groovy L.O.V.E tunes.

From 1958 and Burt’s first band The Five Blobs through to Cal Tjader and Frankie Goes To Hollywood – its all Moog workouts, lush soul, remixes and Japanese pop…

“Get Claude Mono. He will know what to play”

– Burt Bacharach

LISTEN

Show re-stream here (Archived soon)

HD Mixtape here (forever – kind of)

PLAYLIST

The Tokyo Paradise Orchestra – The Look of Love (Live)

Tokyo Ska Paradise Orchestra – Raindrops Keep Fallin on my Head

Burt Bacharach – 24 Hours To Tulsa

Burt Bacharach interview – 1964 (excerpt)

Apeman – 24 Hours From Tulsa

The Five Blobs – The Blob- The Blob OST – 1958

Cal Tjader – Moneypenny – Cal Tjader Sounds Out Burt Bacharach – 1968

Cal Tjader – My Little Red Book Cal Tjader Sounds Out Burt Bacharach – 1968

The Beach Boys – Walk On By (unfinished demo) – 1968 Friends Sessions

Christopher Scott – Wives And Lovers – Switched On Bacharach – 1969

Christopher Scott – The Look Of Love – Switched on Bacharach

Burt Bacharach interview 1964 (excerpt)

Roland Kirk – Walk On By – Slightly Latin – 1966

Tom Jones – Promise Her Anything – A-TOM-C Jones – 1966

Aretha Franklin – I Say A Little Prayer For You (Dimitri From Paris Re-Edit)

The Connection – Loves Theme (Kingstoned – Soundzz) – ltd records – 1975

Rosemary Martins – Love To Love You Baby – Disco Reggae Volume 3

Jack Jones – Wives And Lovers

Burt Bacharach – Bond Street – 1967

Les 5-4-3-2-1 – Bond Street – Tribute To Burt Bacharach -1994

Frankie Goes To Hollywood – San Jose – Welcome To The Pleasure Dome – 1984

The Gentle People – Groovin With You (Intergalactic Harbour Mix)

Isaac Hayes – Walk On By

El Michels Affair – Walk On By

Bebel Gilberto – Baby

Bebel Gilberto – So Nice (Summer Samba) (Mario Caldato Jr. Remix)

Pizzicato Five – Tokyo Mon Amour (Discotheque 96 Mix feat. Kume)

Pizzicato Five – This Years Girl – Made In USA

That’s New Pussycat Surf Tribute To Burt Bacharach
Tribute To Burt Bacharach Triad Records (Japan)
Cal Tjader Sounds Out Burt Bacharach
Switched On Bacharach
Isaac Hayes – Walk On By – Original 45
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Sofia Coppola Mixtape #4
January 1, 2023, 10:01 am
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Sofia Coppola – Bow Wow Wow phase vibes – 2005 Paris Vogue Photo: Craig McDean

Read about and listen to the fourth Mixtape and the earlier ones here

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The Cement Garden (Film 1993)
December 30, 2022, 8:09 am
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The Film of the Book

Devastating information is relayed in short, cool-headed paragraphs, increasing the charged atmosphere 

British author Ian McEwan’s 1978 debut novel The Cement Garden is just 138 pages long and was published when he was thirty. It is narrated in the deceptively affectless monotone of a 14-year-old boy called Jack. The 1993 film of the novel features the British screen debut of Charlotte Gainsbourg and is a family affair as director Andrew Birkin is Gainsbourg’s uncle and his son Ned plays Charlotte’s youngest brother Tom.

Asked in a 2014 article for the Guardian by Andrew Dickins Where did it come from? McEwan reflected: “It was the late 70s, everyone seemed focused on a sense that we were always at the end of things, that it was all collapsing. London was filthy, semi-functional. The phones didn’t work properly, the tube was a nightmare, but no one complained. It fed into a rather apocalyptic sense of things.”

After taking extreme measures to hide the death of their mother, four orphaned siblings, form a feral nuclear family. Encouraged by the eldest sister, who has been elevated to the role of matriarch, the siblings retreat into an insulated domestic world that, removed from the mores of outsiders, grows increasingly depraved. Secrecy and desire bind them as they regress into various states of infantilism, morbidity, and madness.

McEwan’s evocative detail and perfect British prose lend a genteel decorum to the death and decay that surround the family. Weeds growing through the rockery of an abandoned garden mark the passage of time. Antique pieces of furniture are placed in childlike arrangements for dining or entertaining, rarely in the rooms designed for such purposes. The smell of trash and rotting food, overflowing from a bin in the untended kitchen, mingles with the sweet, sickly human odors that fill the house. Each detail elevates the story from merely bizarre to hauntingly detestable. In fact, by the end of the novel, the minutiae of the environment—rather than the characters’ actions—seem to be driving the story. McEwan, stirring disgust and rapture, builds to an exhilarating conclusion in which the siblings find themselves beyond the point of redemption but completely enthralled by one another. Like Brontë’s Heathcliff, McEwan’s lovers are loathsome, a far cry from the romanticized versions in the 1993 film adaptation. But they’re all the more captivating for it. (Excerpt from a short New Yorker retrospective in 2018 – Elaina Patton)

The score is by Edward Shearmur but the soundtrack also features some songs by artists like the Color and Future Primitive. See the soundtrack listing here

Filming Location and Exteriors

The cinematography in the Cement Garden is great and worthy of a repeat viewing just to focus on that. The use of natural lighting and the exterior shots as well as the transitions.   The Director of Photography was Stephen Blackman.  The joint British/German production was filmed in London with key exterior shooting at Beckton Gasworks, Beckton, London.

Becton Gawworks 1980s

The original Winsor house as located in Beckton and used as the exterior location for the house.

Sinc this photo the Beckton Premier Inn and the ‘Winsor House’ Brewers Fayre have been built on the site of Winsor House

Enjoy the film stills below.

Music videos filmed at the Beckton Gasworks

As well as some of the exterior scenes for Stanley Kubrick’s Full Metal Jacket a few cool music videos were also filmed at The Gasworks.

Oasis – D’You Know What I Mean? 

The Smiths – The Queen Is Dead (by Derek Jarman)

The Loop – Arc-Lite

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