Filed under: Uncategorized | Tags: claude mono, Histoire de Melody Nelson, jane birkin, Jean-Claude Vannier, Melody Nelson, serge gainsbourg
Back in 2011 either I completely missed or inexplicably did not buy the ‘Histoire De Melody Nelson SuperDeluxe Edition’ box set – probably much too pricey. A decade later and it has not got any cheaper and is now really hard to find now as I went looking this week as I wanted the ‘extras’ on ‘Les Sessions Melody Nelson’ for a little Gainsbourg mix I am working on. It has a very nice 9+ minute version of ‘Melody’. Anyway, no luck finding a copy I could afford but I found out lots of other interesting things so I did a blog post to share some of it.
With Histoire De Melody Nelson, Serge Gainsbourg composed a French sex god’s teenage symphony
Excerpt from article by Ashley Naftule for AVClub Permanent Records
The skeleton key to understanding how Gainsbourg “elevated song to the level of art” in France is the 1971 concept album Histoire De Melody Nelson.
By the time Gainsbourg started working on Melody Nelson, his career had already gone through several major stylistic shifts. Initially getting his start in the same lush, piano-driven world of ‘chanson’ where other singers like Edith Piaf and Jacques Brel had made their name, Gainsbourg became an in-demand pop songwriter during the ‘ye-ye’ movement—France’s version of America’s girl group craze—penning some of the biggest hits of the era for singers like France Gall and Francoise Hardy. He experimented with African and Latin rhythms on his 1964 album Gainsbourg Percussions, and in 1968 found his “classic” style on Bonnie & Clyde and Initials B.B.: the sleazy maestro waxing pornographic in-between puffs of cigarette smoke, a Gallic Lee Hazlewood to his Nancy Sinatra of the moment. When his duet with partner Jane Birkin, “Je T’aime… Moi Non Plus,” blew up in 1969 and became a worldwide smash, Gainsbourg essentially got carte blanche to do whatever he wanted on his next album. And what he wanted to do was Nabokov.
In the early 60s Gainsbourg had become fascinated with the Russian author’s Lolita and wanted to adapt it, but got beaten to the punch by Stanley Kubrick. “I even asked Nabokov if I could put his words to music but he refused, because they were in the process of making the film of his book,” Gainsbourg said. The idea of writing a song cycle about a creepy, sad man’s objectification of a girl would stay with him, though, and led him to create Melody Nelson.
Who is Melody Nelson?
The lush opening track, “Melody,” immediately drops the listener into the ominous, sensual vibe of the record. Gainsbourg narrates from behind the wheel of a Rolls-Royce, cruising the streets while the bass plucks and resonates with noirish intensity. The orchestra swells and recedes into silence through sudden bursts of volume, flashing out like a needle being threaded in and out of dark cloth. There is so much space and emptiness in the production—the song flows like a series of held and exhaled breaths. As it builds to its climax, with the narrator accidentally (?) hitting the red-headed teenager Melody with his car, the strings erupt like a Bernard Herrmann sting in a Hitchcock film.
Melody is barely fifteen years old. On “Ballade de Melody Nelson”, Gainsbourg sings of her age “quatorze automnes et quinze étés” – fourteen autumns and fifteen summers. Later on “Ah ! Melody” he sings “L’amour tu me sais pas ce que c’est / tu me l’as dit” – you don’t know what love is, you told me yourself. So, Melody is clearly a girl and the narrator’s relationship with her is clearly wrong. Adding to that, it isn’t clear exactly how long the chain of events is on this album. Did he hit her with a car in the morning and they are in a hotel room by the afternoon? It seems like they get to know each other but also there is little detail. (post on Reddit)
Melody
The wings of my Rolls brushed the pylons;
Not knowing where I was, lost,
We arrived, my rolls and I, in a place,
Dangerous and isolated.
There, standing at the edge of the bonnet
Of the Silver Ghost from the nineteen hundreds,
Shines the radiator’s silver Venus
Whose light wings fly forth and forward.
While the bursting noise of the radio
Covers the muted sound of the motor,
Proud and arrogant, she stares at the horizon,
Aimlessly, ignoring the asphalt pavements,
Back alleys, dead-ends with no parking
Allowed; serenely indifferent,
She holds the reins of my twenty-six horse power,
Princess of darkness, cursed archangel,
Modern Amazon whose sculptor
Named you Spirit of Ecstasy;
And there I was, fooling around before losing
Control of the Rolls. Driving slowly as if
Drifting along when a sharp thud
Pulled me out of my hazy dreams. Damn!
I see lying there in front of the car
The wheel of a bicycle still spinning
And like a doll who’s lost its balance,
Her skirt is pulled up on her white pants:
‘What’s your name?’
‘Melody’
‘Melody what?’
‘Melody Nelson’
Melody Nelson has red hair
And it’s her natural colour.
You can also hear the sublime in “Cargo Culte”: As the song heads toward its last minute, Vannier brings in a massed chorus whose voices build in intensity, a heavenly choir that drowns out Serge and bears Melody’s soul up into a heaven he’ll never be allowed entry into.
WANT MORE…
Melody TV Special – 1971
A 30 minute musical adaptation of the concept album ‘Histoire de Melody Nelson’. It is sprinkled with tracks from the album coupled with psychedelic sets, combining embedded videos and paintings by some of the greatest masters in the art world. A highlight is Jane Birkin gyrating to a wallpaper of psychedelia and surrealism. Watch on Vimeo here.
Photo Shoot: The Story Behind Jane Birkin’s Transformation into Melody Nelson
In ‘Bleu Melody’, the photographer Tony Frank brings together his complete archive of photographs and documents from the 1971 photo shoot for the cover of Histoire de Melody Nelson. The photos have become as iconic as the album itself. Remembering the day he recalled “All I know is Jane will be wearing jeans. So I decide to set up a light blue background while waiting for her to arrive.”
Read the full article in AnOther magazine here
Munkey
Jane Birkin’s toy monkey ‘Munkey’ appears on the cover of Histoire De Melody Nelson”My mother slept with it until Serge’s death, and she put it in his grave with him”
Lou Doillon (Jane Birkin’s daughter by Roger Vadim)
“I’ve been keeping a journal since I was eleven, writing it to my confidante, the stuffed monkey won in a tombola: Munkey. He has slept by my side, shared my life… and been witness to every joy and sadness. Before my children arrived wreaking havoc on my life, I left Munkey in Serge’s arms, in the casket where he lay, like a pharaoh. My monkey, protecting him in the after-life”.
From Jane Birkin’s Munkey Diaries
The Origins of Melody – Lolita, Barbarella, Mondo Cane and others…
“The beauty of culture, for everyone bar the territorial and the delusional, is that it’s an echo chamber and no work can really exist without ancestors and descendants”.
Around the time of his Percussions album, Gainsbourg attempted to adapt a poem by the narrator of the book Humbert Humbert to music but Stanley Kubrick had already secured the rights for his film. The song intended would eventually become the track ‘Jane B’, written for his future Melody Nelson muse Jane Birkin (an entire album Lolita Go Home would follow in 1975). Gainsbourg would read Humbert’s poem on French television in 1975 and smuggle Lolita into his songs in various guises (the voyeuristic track ‘Pauvre Lola’ for one). It’s most evident in Histoire de Melody Nelson.
Lolita is “a complex novel as much about solipsism, male delusion and the complicity of power as it is about sex. Lolita is manifestly not about Lolita, just as Histoire de Melody Nelson isn’t about Melody Nelson. They are ciphers. The real protagonists are the narrator and the audience. And there is an electricity in the novel’s ambiguities and the extent to which it makes the reader an accomplice, either through empathy or condemnation. You’re never quite sure about Nabokov’s deeper motives. To paraphrase Groucho Marx, ‘He may talk like a pervert, and look like a pervert, but don’t let that fool you: he really is a pervert.’ This would be mirrored in Gainsbourg and Melody Nelson.
Read the full article The Origins of Melody By Darran Anderson at the 333Sound blog here
The Secret World of Serge Gainsbourg
“Carefully avoiding eye contact with the tourists in the street, Charlotte Gainsbourg quickly lets me into the small, graffiti-covered house… where her father, Serge Gainsbourg, lived and, on March 2, 1991, died at the age of 62. For 16 years this house has been shuttered and locked, with only the housekeeper or occasional family member allowed inside. Charlotte, an actress and a huge star in France, is now the owner of the house and wants, with the help of architect Jean Nouvel, to turn it into a museum. For the first time since Serge Gainsbourg’s death, she has agreed to reveal the private world of France’s most beloved and important songwriter”. Read the article here
By Lisa Robinson – Vanity Fair – October 15 2007
Sampling: Initial B.B.
“Gainsbourg had actually pioneered the practice of sampling before there were commercial samplers available; using a snippet of the First Movement of Antonín Dvořák’s “Symphony No. 9 (‘New World’)” for his climatic chorus to “Initial’s B.B.” The best of his descendants have been those who have absorbed and transformed his music into something that at least appears new”.
Darran Anderson Author: Darran Anderson (Serge Gainsbourg’s Histoire de Melody Nelson)
Jarvis Cocker sings ‘Melody’ (with English Lyrics) – Jean-Claude Vannier live London Barbican, 2006
A shaky video of a not entirely perfect performance but well worth watching. As the review by Jonny Trunk for Record Collector nicely put it “A totally unique, blissful mixture of art, nostalgia, music and high-end record nerdism…” and in a little more detail “A one-off sold-out concert of avant garde oddness and Serge Gainsbourg homage was a risk that paid off handsomely for Vannier, who, by the end, was quite overwhelmed. After performing his encores first, Part One involved JCV conducting his experimental opus, L’Enfant Assassin Des Mouches. More like a magician than a conductor, he brought his sonic vision of SFX, children, a choir, strings, jazz and percussion, brilliantly to life. The performance engaged and nigh on overpowered, with Herbie Flowers, ‘Big’ Jim Sullivan and Vic Flick among the original sessioneers reappearing. The BBC Concert orchestra revelled in the weirdness and hanky waving and the Crouch End Festival Chorus took delight in playing teacups and spoons. The SFX man, playing matches, blenders, and walking in a gravel box, stole the show, while the second half was a run-through of Gainsbourg/Vannier’s L’Histoire De Melody Nelson, with guest vocalists, including Jarvis Cocker, Badly Drawn Boy, Mick Harvey and Brigitte Fontaine…”(Reviewed by Jonny Trunk for Record Collector)
Les Chemins de Katmandou Soundtrack
“The title track, however, signpost the future: alternately swinging, lurching, grooving and brooding, the thunderous drums and fuzzed-out guitars of the former, and the swelling arrangements of the latter, would, in just a couple of years, be married to unbeatable effect on Histoire De Melody Nelson. It’s been a five-decade wait, but it’s been worth it.” (Record Collector)
and this
“I was in Cevennes when my copyist friend’s daughter Dominique Marechal phoned me. She told me that she’d found a little suitcase full of tapes with my name on it,” renowned producer Jean Claude Vannier tells us below, recalling the discovery of his collaborative soundtrack with Serge Gainsbourg for the film Les Chemins de Katmandou.
This very soundtrack, considered the final shard in piecing together the collaborative discography of the composer Jean Claude Vannier and Serge Gainsbourg, was found after nearly 50 years, having been assumed destroyed. Now, Finders Keepers Records, founded by Andy Votel, present the first ever pressing of these master-tapes.
From the article ‘Cult producer Jean Claude Vannier on his recently unearthed Serge Gainsbourg collaborative masterpiece’ – Robyn Cusworth 2017 for Hero
Recommended Reading
Serge Gainsbourg’s Histoire de Melody Nelson
Darran Anderson
“Absolutely awesome…my favorites in the series are when they give an overall history of the artist, or some historical context for the record. This one does both”. Goodreads review
Veronique Mortaigne
Synonymous with love, eroticism, glamour, music, provocation, their affair would set France aflame as the sixties ebbed, and set in motion many of the ideas we have by now come to think of as specifically ‘French’.
From Publisher Allen and Unwin
“This book has received a lot of not so good reviews saying its just too hard to get into the lyrical very French stream of consciousness writing style – what everyone hated I loved the most – this book also gets quite deep into the dark side of Serge and the strange contradictions in the love shared between Serge and Jane – a great read”
Claude Mono
Filed under: Uncategorized | Tags: bruton music, claude mono, el ritmo, james munns, Karminsky Experience, Karminsky Experience Inc., kpm, library, lounge, martin dingle, rtrfm
LISTEN: The Mixtape link and Playlist are way further down the page after the important stuff.
RTRFM ‘El Ritmo’ Your Tuesday Night Hi Fi Journey presents
In search of The Exotic Sounds of the Karminsky Experience Inc.
Sounds by and inspired by The Karminsky Experience Inc.
Sleeve Notes by Claude Mono
Arrivals
…Unless you were there you don’t know…
Its the 1990s and the kids are alright. On any night of the week across the whole of the UK they were out in their hundreds, thousands, and tens of thousands gathering at raves held in fields, woodlands, beaches, warehouses, and aircraft hangers to dance to to acid house and techno through the night until dawn.
…no not there…
Around the same time in the cocktail bars, basement clubs, and late-night discos of Soho, London the resurgence of Lounge music had begun in its original Soho ground zero from the swinging sixties – and it was about to take off. A much smaller group of kids were searching junk shops and car boot sales for old Esquivel records or obscure KPM or Bruton Library Music LPs. The hippest of the kids were sharply dressed and out dancing at club nights like Smashing, or Blow Up, or perhaps on a Thursday Night at ‘Mission Bongo and the Caves of Conga’ featuring the DJs of The Karminsky Experience Inc.
This scene full of music-nerds was perhaps the ‘Rebirth of the Uncool’ and all too short-lived – no more than a few years and then overtaken in the capital by Britpop – but this little revival seeded much of what we now know as the expansive sounds of Nu Jazz. As pop culture historian Simon Reynolds summed it up well at the very beginning in 1993 when reviewing Stereolab’s ‘The Groop Played Space Age Bachelor Music’. It was about chasing “the ’50s and 60s, when tropical-scented, easy-listening albums by Martin Denny, Arthur Lyman, etc, were designed so that the modern bachelor could (a) show off the stereophonic range of his state-of-the-art hi-fi, and (b) get his date “in the mood” before making his move”.
The Karminsky Experience Inc. are the London-based DJ and recording artist duo James Munns and Martin Dingle. They can be heard on Soho Radio with their own regular self-titled show playing always groovy often hard to find library and related records.
Back in the 90s as well as hosting their own great club nights they DJed at parties for Hugh Hefner, Russ Meyer, Ken Kesey and Burt Bacharach. The Kaminsky Experience Inc. also curated some of the best compilations that captured the essence of the scene. The 1990s was the golden age of CDs and compilations were king, and within this emerging scene there were some compilations that truly went ‘big’ – who could forget the super collectible Ultra-Lounge series including its Faux fur covered limited editions. Sadly they have not aged well. But if you looked deeper there were only a few, possibly only two, compilation series that were truly essential – and they are the only two (by miles), both with three volumes, that were so cohesive that they still sound great today and will probably do so forever.
The first series was the three volumes of ‘The Sound Gallery’ curated by Martin Green and Patrick Whitaker (see also Bistro Erotica Italia). Volume three was called ‘The Sound Spectrum’ due to a label change but the first two were put out on the very authentic sounding and truly authentic ‘Studio Two Stereo’ label – an EMI imprint. The music was perfectly described on its LP cover as
“… a breathtaking musical exhibition of the finest quality recordings that will alternately excite and thrill, soothe and relax today’s discerning music lover.”
The second series was the three volumes curated by the Karminsky Experience Inc. ‘Inflight Entertainment’, Espresso Espresso’ and ‘Further Inflight Entertainment’.
‘The Sound Gallery’ compilations and The Karminsky Experience compilations both featured great selections of library music.
The Sound Gallery ones were more ‘serious’ as they featured tracks mainly from the EMI Studio2Stereo series from albums recorded over an eight year period from 1969 to 1976. “These tracks were recorded using the best available studios…with the best session men – and using the most advanced recording techniques of the day”.
But the Karminsky comps had their own edge for a few reasons. The sounds were a bit more ‘international’ with artists like Brigitte Bardot or The Gimmicks or Usha Uthup or The Peter Thomas Sound Orchestra. They were also intentionally curated for playing as double LPs where each side had a ‘listening’ theme like ‘The Armchair Traveller’ or ‘More Jets to more Places’. The art
The three ‘artist’ LPs of the Karminsky Experience Inc are each different and unique in how they have been imagined and then created. Each also has very high musical production values ensuring each still sounds fresh in 2021.
ONE: The first Karminsky LP is The Power of Suggestion from 2003
“Tipping their fezzes to Henry Mancini, The Karminsky Experience Inc. writes the soundtrack to a sexy, escapist, psychedelic-fueled jaunt into sitar funk territory… Dodging an all-out kitsch-fest, …Suggestion is a concerted effort to score the imaginary protagonist’s Istanbul adventures through bouts of “Belly Disco,” a run-in with “The Hip Sheik,” and mysteries “Behind the Bamboo Curtain”…
XLR8R Review of The Power of Suggestion – Liz Cordingley
TWO: The second Karminsky LP was Snapshot from 2003 is definitely the most obscure and difficult to come by. It is on Spotify.
THREE: The third Karminsky LP Beat! from 2016 is the the most fully thematic and ‘complete’ in its realization – and its easy to buy as its on Bandcamp.
“The receiver crackled to life once more, the signal bounced from distant satellites and filtered through the upper reaches of the stratosphere. A voice, barely recognizable, the message cryptic, and in the background – a poolside, or else, birdsong? Inconclusive, in the wake of a cocktail that tasted, said the second go-go dancer, ‘Kinda funny’, before melting into the hot midnight crowd, an abstract composition of sound and colour, drums and motion. And now the journey from stage door to receding yellow cab became epic in both scope and scale, cacti or maybe fire hydrants swerving recklessly across his path. Images collided, spinning fragments of a story he couldn’t quite remember, or never really knew. The Beat Hotel, the school of abstract music, and Stanley Terrace, ‘musician’, 32, who knew so much and told so little – that at least was clear. And in his hand the receiver, unheard – “You were right all along, we found them, we found them all!” – from ‘High Orbit’, Alberto Travelli
and….
There are lots or Karminsky remixes outthere and also this.
Junior Bonner – South By Southwest is an Unreleased (only available on Spotify) and unfinished Soundtrack from 1974 Incorporating Country Soul Jazz & Funky Country / folk styles , Sessions begun In 1974 Restored , Reworked and Completed In the Karminsky’s London Studio.
Departures
In the end The Karminsky Experience’s music is not that well known even though it should be. The exception is two quite well-known tracks ‘Explorations’ and ‘Departures’. The latter featuring a sample of the track “Misty Canyon” now more associated to Karminsky than to Sven Libaek and his 1970 LP from which it was sourced. Karminsky’s Martin Dingle said of the track and its sample “I think we did end up in a different space by the end of the song to the original… I actually think ‘Misty Canyon’ is quite timeless. There’s a quality to good library music that allows the listener to add their own visuals or interpretation to it – this space is what intrigued me about ‘Misty Canyon”. There is some great analysis of this track and the use of samples by DJs in the book ‘The Social Life of Sound’ by Sophia Maalsen available for free on the Interweb
LISTEN
Enjoy all 6 sides of this imaginary 3LP in one sitting – each side has a theme
Restream the show here (show archived – only the mixtape now)
HQ Mixcloud Edition here (Just the music remastered and re-sequenced)
PLAYLIST
>> INTERNATIONAL FLIGHT…
Pan Am Boeing 707 This is your captain speaking
Alan Downey – Travel Theme (A) – KPM Miniature Theme Suites
David Snell – International Flight – Big Business / Wind of Change (1973)
Harold Fisher – Romantic Themes – KPM Miniature Theme Suites (1978)
The Karminsky Experience Inc – From Days Like These – Snapshot
Brian Bennett – Summer Reverie – KPM Love Themes (1976)
The Karminsky Experience Inc – Gemini Calling – Beat!
The Karminsky Experience Inc – Mirage – Beat!
The Karminsky Experience Inc – See Inside – See Inside EP
Colleen Lovett – Birds with Broken Wings (excerpt) – Birds with Broken Wings (1974)
The Karminsky Experience Inc – The Sea – Snapshot
Roy Budd – The Diamond Fortress – Diamonds OST (1976)
Roy Budd – Diamond Fortress (Karminsky Mix)
Lex Baxter – Slow Heat – African Blue (The Exotic Rhythms Of Les Baxter Orchestra And Chorus) (1969)
>> THE SWINGER
The Swinger feat Anne Margaret (except) – The Swinger OST (1966)
The Karminsky Experience Inc –Secrets – Snapshot
Brian Bennett – Nuplex (excerpt) – KPM Visual Impact (1976)
Junior Bonner (aka Karminsky Experience Inc.) – Desert Crossing – South by Southwest
>> SUNSET ON COCACABANA BEACH
Trevor Bastow – Soft Dream Bruton Music – Relax (1979)
Sergio Mendes and Brasil 66 – Slow Hot Wind – Herb Alpert Presents Sergio Mendes & Brasil ’66 (1966)
Block 16 – Slow Hot Wind – Morning Sun (2001)
The Gimmicks – Ye Me Le (Thievery Corporation Remix)
The Gimmicks – Ye Me Le – The Gimmicks of Sweden (1972)
Astrud Gilberto – Beginnings – September 17 1969 (1970)
>> RETURN OF THE INTERNATIONAL PLAYBOY
Metaform – Lonely Boy (excerpt) – Standing on the Shoulders of Giants (2007)
Shawn Lees Ping Pong Orchestra – Moodbender – Strings and Things (2006)
Sven Libaek – Misty Canyon – Sven Libaek And His Orchestra (1970)
The Karminsky Experience – Exploration (Medeski Martin Wood Mix)
The Karminsky Experience Inc – Assignment Istanbul – The Power of Suggestion
The Karminsky Experience Inc – Belly Disco – The Power of Suggestion
Peter Sellers awkward dance – The Party (excerpt) – The Party OST
The Karminsky Experience Inc – Shall We Dance – The Power of Suggestion
>> I DIG YOUR JAZZ
The Karminsky Experience Inc – Everything Is Cool – Beat!
The Karminsky Experience Inc – Upstairs At Madame La Zongas – Beat!
Dimitri from Paris – Une Very Stylish Fille – Sacrebleu (1996)
Mo Horizons – Soho Vibes – Remember Tomorrow (2001)
Serge Gainsbourg – Ecce homo et caetera (Acapella) – Mauvaises Nouvelles Des Étoiles
The Karminsky Experience Inc – See Inside (interlude)
The Karminsky Experience Inc – A Little Happening – The Power of Suggestion
The Karminsky Experience Inc – The Fifth Peg – Beat!
Beatnik Club in Visit to a Small Planet (excerpt) – Visit to a Small Planet 1960
Sam Fonteyn – Perpetual Percussion – KPM Sounds in Percussion (1969)
Skeewiff – Brass, beats and bongos (excerpt) – Skeewiff vs. KPM (2012)
United Future Organization – Off Road – United Future Organization
The Gentle People – Travel Bug (The Karminsky Experience) – Mix Gently (1997)
Nino Ferrer – Looking For You – Nino And Radiah (1974)
The Karminsky Experience Inc – The Wayward Camel – The Power of Suggestion
Ursula 1000 – Mr Hrunudis Holiday (Karminsky Remix)
WANT MORE
Check out the Karminksy Experience Inc. Radio show on Soho Radio here
Check out the Karminksy Experience Inc. www here
Some Karminsky LPs and Flyers original artwork by Johnie Clayton here
Welcome to the Jet Set at the Inflight Entertainment Blog
There is sure to be a Volume 2